Category: Sci-Fi

  • ‘Run’ Exclusive Interview: Marques Houston

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    Opening in theaters on August 29th is the new alien invasion movie ‘Run’, which was directed and co-written by Chris Stokes (‘You Got Served’) and produced and co-written by actor Marques Houston (‘Fat Albert’).

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    In addition to Houston, the film also stars Annie Ilonzeh (‘Peppermint’), Drew Sidora (‘Step Up’), Erica Mena (‘The Stepmother 3’), Claudia Jordan (‘Middle Men’), Erica Pinkett (‘Secret Society 3: ‘Til Death’), Jensen Atwood (‘Velvet Jesus’), Ken Lawson (‘Malibu’s Most Wanted’), and Obba Babatunde (‘Black Dynamite’).

    Marques Houston stars in 'Run'.
    Marques Houston stars in ‘Run’.

    Moviefone recently has the pleasure of speaking with co-writer, producer and actor Marques Houston about his work on ‘Run’, developing the screenplay, his character’s motivations, designing the look of the aliens, collaborating on the set with the cast, and his close working relationship with director Chris Stokes.

    You can read the full interview below or click on the video player above to watch our interviews with Houston, Annie Ilonzeh, Erica Pinkett, Erica Mena, and Claudia Jordan.

    Related Article: The ‘Alien: Romulus’ Comic-Con Panel Brings Footage and Facehuggers to Hall H

    'Run', directed by Chris Stokes, opens in theaters on August 29th.
    ‘Run’, directed by Chris Stokes, opens in theaters on August 29th.

    Moviefone: To begin with, can you talk about developing the screenplay with Chris Stokes and the themes you wanted to explore as a writer?

    Marques Houston: Well, as you know, my business partner, Chris Stokes, who’s also co-writer and director, he came up with the story idea. He gave me a call and pitched it to me over the phone and I was really thrilled by the idea. I felt like it was a great idea. I felt like it was something that hadn’t been done before, and it was very original. So, in writing the screenplay, his thing was that he wanted to do a sci-fi movie where it had all the energy and running and all that sci-fi stuff, but he wanted to make it a love story. So, I said, “Let’s really home in on the love story,” because he’s a huge fan of Steven Spielberg and James Cameron, and how their movies always have a great love story, something that you just root for the characters and you want them to win. So, we wanted to go with a great love story. We put in the love story of my character and Annie’s character as a couple in turmoil that we’re getting engaged and I get left at the altar. Then her girls take her on this girls’ trip because she’s so depressed. In the interim of all of that, now here we have this alien invasion. But it’s specified to where they are. So, it’s kind of like it’s happening all over the world, but we really wanted to center it on their story, on the girl’s story with myself included and everything like that. So, we did a great love story first and then we put the action on top of that love story. That’s how we were able to attack the screenplay. That’s what we really were going with, centering in on the camaraderie between the girls, the love story between myself and Annie’s character, and really the ultimate idea of a story of survival and how these friends must work together to survive. The thing is, you don’t see any movies like this with an urban cast, like with a high sci-fi twist. That was a challenge, making a story like that with believable sci-fi, so it’s not corny or like a comedy. We really wanted to make a serious movie, but this situational high concept idea that these aliens are taking over.

    MF: Can you talk about how your character Andre, deals with being left at the alter by his fiancé, and does his feelings change after the alien invasion?

    MH: Well, being left at the altar is not fun for anybody, of course. I’ve never experienced that before, but I can only imagine the hurt and just the heartfelt crushing that that can deliver, especially to a man’s ego. He’s like, “I got left at the altar. What are you talking about?” So, that was the story point for me, it was like, how do I really get into that feeling of being abandoned? Then going to the hills to try to save the one person that abandoned you, and then you realize that all that stuff that’s downstairs is just not important. It’s like, “What are we even fighting about? Now we’re trying to survive.” Then it becomes a test of loyalty and love, and how do we let all the nonsense go that we were fighting about? How do we really get together and show that true love and that true bond, and how do we survive together?

    'Run', directed by Chris Stokes, opens in theaters on August 29th.
    ‘Run’, directed by Chris Stokes, opens in theaters on August 29th.

    MF: From a producer’s standpoint, can you talk about designing the look of the aliens and using both practical and visual effects?

    MH: That was Chris. He had all these concept aliens in his brain, and he went to paper with it. It took him a couple of months to fine tune and really get what he wanted, and how he wanted to see the alien’s attack. These aliens, I mean, we all think about aliens as the little head with the big eyes. So, we wanted to go with aliens that kind of reminded us of the aliens that we get scared of, that we’re used to seeing. A lot of movies nowadays portray aliens more as monsters. They have all these legs, and it’s like this monster, you know? ‘Alien’ was such a huge hit, and it changed the whole dynamic of how people seen aliens as more like monsters. We wanted to see these aliens as more of like higher beings, human kind of things, that move like humans, they do everything like humans, but they’re still, higher than us. So, that was the concept behind it. It took almost a year to get everything done with the CG and producing this. It was very expensive to put it on the screen. It wasn’t AI, we didn’t want to use AI, we really wanted to have it be realistic. We also brought in like a stunt actor to become the alien so that we can get that realistic feel as well as, versus the CGI. We did a lot of creative things in creating and putting this movie together. Just to see it all done was amazing for me. I’m so happy and thrilled that it’s done, and I can’t wait for people to see it.

    MF: What was it like working with the rest of the cast and was there room for improvisation on set?

    MH: So, we put the cast together with a group of people that we’ve worked with before and we’re familiar with including Annie Ilonzeh, Erica Mena, Erica Pinkett. It was our first time working with Claudia Jordan. We worked with Drew Sidora before, and Obba Babatunde, who’s just a veteran, we worked with him before. So, we really wanted to have a family feel of a cast because we needed the camaraderie of the girls and that bond to really pour through on the screen. We wanted it to be believable. So, we didn’t want to have a whole bunch of strangers just meet each other for the first time. We wanted that charismatic element to this cast so that when you’re in there and you’re watching the movie, you don’t want anybody to die. You’re trying to root for everybody. You’re just so excited about everybody living. We want somebody to be like, “Oh, no, I didn’t want that to happen.” So, that’s what was important with the cast for us and for me as a character, I know that I love to be funny in real life. So, when I was doing Andre, and I was kind of just thinking about what kind of character I was going to be. I really loved Will Smith in ‘Independence Day’. I loved the fact that he was serious, and he saved the world, but he was also funny. He had moments where he could be funny and he could be charismatic, and he could still give you a laugh and then still give you some toughness. So, I really did pull from that experience for myself, as an actor, and I just wanted to come off well and I hope it did.

    'Run', directed by Chris Stokes, opens in theaters on August 29th.
    ‘Run’, directed by Chris Stokes, opens in theaters on August 29th.

    MF: Finally, can you talk about your close friendship with Chris Stokes and what it’s like to work with him on set?

    MH: I’ve known Chris since I was eight years old. He was my manager when I was younger. We’re business partners now. We’ve worked together for so long. We kind of mirror each other’s thoughts and we know what each other’s going to do and what each other’s going to think. I know him as a director, he knows me as an actor and as a writer. It’s great to be able to work with somebody that you’ve known for so long and that you can bounce ideas off each other and creatively. It really is a bond that that we have together because we’ve done so many movies together. It’s like working with your best friend, and it’s great.

    'Run', directed by Chris Stokes, opens in theaters on August 29th.
    ‘Run’, directed by Chris Stokes, opens in theaters on August 29th.

    What is the plot of ‘Run’?

    When Melissa (Annie Ilonzeh) leaves her fiancé Andre (Marques Houston) at the altar, her best friends convince her to go to a Cabin in the woods on a much needed “Girls Trip” to get her mind off things. But things take a huge turn when their friend Jenny (Claudia Jordan) is found mutilated in the middle of the woods. When the news announces an all-out Alien attack on the Nation, the girls will now have to try their best to survive.

    Who is in the cast of ‘Run’?

    • Annie Ilonzeh as Melissa
    • Marques Houston as Andre Pierce
    • Drew Sidora as Britney Sidora
    • Erica Mena as Donnie Mena
    • Claudia Jordan as Jennifer Jordan
    • Erica Pinkett as Brandy Pickett
    • Jensen Atwood as Avery
    • Ken Lawson as Ronald
    • Obba Babatunde as the President of the United States
    'Run', directed by Chris Stokes, opens in theaters on August 29th.
    ‘Run’, directed by Chris Stokes, opens in theaters on August 29th.

    List of Movies similar to ‘Run’:

    Buy Tickets: ‘Run’ Movie Showtimes

    Buy Alien Invasion Movies and TV on Amazon

     

  • TV Review: ‘Alien: Earth’

    FX's ‘Alien: Earth’. Pictured: Sydney Chandler as Wendy. Photo: Patrick Brown/FX.
    FX’s ‘Alien: Earth’. Pictured: Sydney Chandler as Wendy. Photo: Patrick Brown/FX.

    ‘Alien: Earth’ receives 9 out of 10 stars.
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    Launching on FX and Hulu on August 12 with the first two episodes (six more debut once per week after that), ‘Alien: Earth’ is the latest attempt to get more mileage out of the venerable sci-fi/horror franchise birthed by writers Dan O’Bannon and Ronald Shusett, alongside director Ridley Scott back in 1979 with ‘Alien’.

    Created by Noah Hawley (TV’s ‘Fargo’), the new series stars Sydney Chandler (‘Don’t Worry Darling’), Alex Lawther (‘Black Mirror’), Timothy Olyphant (‘Justified’), Babou Ceesay (‘Free Fire’), Essie Davis (‘The Babadook’) and Samuel Blenkin (‘Atlanta’).

    Related Article: Timothy Olyphant to Star in Noah Hawley’s ‘Alien’ TV Series

    Initial Thoughts

    FX's ‘Alien: Earth’. Pictured: Alex Lawther as Hermit. Photo: Patrick Brown/FX.
    FX’s ‘Alien: Earth’. Pictured: Alex Lawther as Hermit. Photo: Patrick Brown/FX.

    The ‘Alien’ franchise is one that can be truly hard to get a handle on. Following Ridley Scott’s genre-busting mash-up of sci-fi and haunted house movies in 1979, James Cameron blew the doors off the movie series with the superlative ‘Aliens’ in 1986, but since then it has been on something of a slippery slope –– David Fincher’s divisive ‘Alien³’ has its defenders, but even Scott’s more recent revisitation of the xenomorph universe headed into ponderous pretension.

    Fede Alvarez’ 2024 effort ‘Alien: Romulus’ had better luck, but even that was derided for one or two choices (not the least of which was the dreadful application of a classic ‘Aliens’ line).

    Now, here comes Noah Hawley, who has worked wonders mining established source material for new TV output, including Marvel’s ‘Legion’ and especially ‘Fargo’, which has evoked the Coen brothers’ movie while existing as its own beast.

    He pulls off a similar trick here, respecting what has come before (or, er since this is a prequel, what will come after) with intensity, style and a healthy dose of humanity amongst the creature chaos.

    Script and Direction

    FX's ‘Alien: Earth’. Pictured: Timothy Olyphant as Kirsh. Photo: Patrick Brown/FX.
    FX’s ‘Alien: Earth’. Pictured: Timothy Olyphant as Kirsh. Photo: Patrick Brown/FX.

    Hawley, leading an accomplished writing team that has worked on shows including ‘WandaVision’ and his own ‘Fargo’, treads the line between evoking what has gone before –– including thematically –– and invention, deepening and layering the story.

    The ‘Alien’ franchise is ripe with subtext beyond the xenomorphs, and Hawley and his team take full advantage of the stories’ exploration of artificial intelligence and giant corporations (both could not be timelier).

    And TV running times mean there is much more scope to take time with the characters, the initial beats of the first episode graceful and almost operatic, fully tuned into the working class “space-trucker” vibe of the original movie. It’s always compelling and never dull, interspersed with dynamic moments of horror as a deep-space vessel’s crew discovers that transporting weird creatures never works out in humanity’s favor.

    There is also a welcome, skillful approach to exposition, bringing those who might not be familiar with the storylines up to speed.

    FX's ‘Alien: Earth’. Pictured: Adarsh Gourav as Slightly. Photo: Patrick Brown/FX.
    FX’s ‘Alien: Earth’. Pictured: Adarsh Gourav as Slightly. Photo: Patrick Brown/FX.

    Hawley also directs the first episode (Dana Gonzales handles the second and the lion’s share of the season), kicking things off with real style and epic feel for when the space ship comes roaring back to Earth, out of control.

    The horror sequences of people being stalked by creatures (xenomorphs and some lethal new friends) really work well, delivering intensity while not losing focus on the performances.

    Cast and Performances

    FX's ‘Alien: Earth’. Pictured: Essie Davis as Dame Sylvia. Photo: Patrick Brown/FX.
    FX’s ‘Alien: Earth’. Pictured: Essie Davis as Dame Sylvia. Photo: Patrick Brown/FX.

    Sydney Chandler, as Wendy a “Hybrid” (a human consciousness transferred into a synthetic body) is our main way in as the show starts, and Chandler brings a healthy blend of emotion and levity to the show. She’s compelling and watchable, and leads her ragtag band of fellow “Lost Boys” (and girls –– ‘Peter Pan’ is another thematic touchstone here) as they are drawn into the wider story, including a link to her past.

    Alex Lawther as Hermit, a military medic working off his contract with the sprawling, powerful Prodigy corporation (one of franchise stalwart Weyland-Yutani’s big competitors and the funding/science behind the programme that created Wendy), gives a soulful, nuanced performance.

    On the Prodigy front, company founder and resident genius/trillionaire Boy Kavalier (Samuel Blenkin) is also good value, a sort of Mark Zuckerberg type who is endlessly frustrated that no-one is on his level.

    FX's ‘Alien: Earth’. Pictured: Babou Ceesay as Morrow. Photo: Patrick Brown/FX.
    FX’s ‘Alien: Earth’. Pictured: Babou Ceesay as Morrow. Photo: Patrick Brown/FX.

    Elsewhere, Babou Ceesay is great as Morrow, the cyborg security chief of the crashing spaceship, whose concerns once things get out of hand are certainly not the safety of his crewmates, and he puts you in mind of Ian Holm‘s Ash from the original movie.

    While what the production has done to Timothy Olyphant’s normally lustrous locks might be more horrifying than being stalked by a slavering beast, he’s typically excellent as the synth scientist at Prodigy who has become a father figure to Wendy.

    Final Thoughts

    FX's ‘Alien: Earth’. Pictured (L to R): Samuel Blenkin as Boy Kavalier, Ade Edmondson as Atom Eins. Photo: Patrick Brown/FX.
    FX’s ‘Alien: Earth’. Pictured (L to R): Samuel Blenkin as Boy Kavalier, Ade Edmondson as Atom Eins. Photo: Patrick Brown/FX.

    Chalk another win up to Hawley’s list of TV shows you thought might not work, as ‘Alien: Earth’, at least on the basis of its initial episodes, is a triumph. Dread drips into emotion, the effects are top notch and the writer/director has mined something special here.

    It’s not hyperbolic to suggest that this is a better extension of the ‘Alien’ universe than many previous attempts. Perhaps the xenomorphs are better off on the small screen for now.

    Be careful watching it with friends, though –– everyone will hear you scream.

    What’s the plot of ‘Alien: Earth’?

    When the mysterious deep space research vessel USCSS Maginot crash-lands on Earth, Wendy (Sydney Chandler) and a ragtag group of tactical soldiers make a fateful discovery that puts them face-to-face with the planet’s greatest threat.

    Who stars in ‘Alien: Earth’?

    • Sydney Chandler as Wendy
    • Alex Lawther as Joseph D. “Joe” Hermit
    • Essie Davis as Dame Sylvia
    • Samuel Blenkin as Boy Kavalier
    • Babou Ceesay as Morrow
    • Timothy Olyphant as Kirsh
    • David Rysdahl as Arthur Sylvia
    • Adarsh Gourav as Slightly
    FX's ‘Alien: Earth’. Pictured: Sydney Chandler as Wendy. Photo: Patrick Brown/FX.
    FX’s ‘Alien: Earth’. Pictured: Sydney Chandler as Wendy. Photo: Patrick Brown/FX.

    Movies in the ‘Alien’ Franchise:

    Buy ‘Alien’ Movies On Amazon

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  • Movie Review: ‘The Fantastic Four: First Steps’

    (L to R) Ebon Moss-Bachrach as Ben Grimm/The Thing, Vanessa Kirby as Sue Storm/Invisible Woman, Pedro Pascal as Reed Richards/Mister Fantastic and Joseph Quinn as Johnny Storm/Human Torch in 20th Century Studios/Marvel Studios' 'Fantastic Four: First Steps'. Photo courtesy of 20th Century Studios/Marvel Studios. © 2025 20th Century Studios / © and ™ 2025 Marvel.
    (L to R) Ebon Moss-Bachrach as Ben Grimm/The Thing, Vanessa Kirby as Sue Storm/Invisible Woman, Pedro Pascal as Reed Richards/Mister Fantastic and Joseph Quinn as Johnny Storm/Human Torch in 20th Century Studios/Marvel Studios’ ‘Fantastic Four: First Steps’. Photo courtesy of 20th Century Studios/Marvel Studios. © 2025 20th Century Studios / © and ™ 2025 Marvel.

    ‘The Fantastic Four: First Steps’ receives 9 out of 10 stars.

    Opening in theaters on July 25th is ‘The Fantastic Four: First Steps’, which sees Marvel finally bringing one of their most famous comic book teams into the Marvel Cinematic Universe.

    Directed by Matt Shakman (‘WandaVision’), the movie stars Pedro Pascal (‘The Last of Us’), Vanessa Kirby (‘The Crown’), Joseph Quinn (‘A Quiet Place: Day One’) and Ebon Moss-Bachrach (‘The Bear’).

    Related Article: Marvel Boss Kevin Feige Offers Updates on ‘The Fantastic Four’ and More

    Initial Thoughts

    Pedro Pascal as Reed Richards/Mister Fantastic in 20th Century Studios/Marvel Studios' 'The Fantastic Four: First Steps'. Photo by Jay Maidment. © 2025 20th Century Studios / © and ™ 2025 Marvel.
    Pedro Pascal as Reed Richards/Mister Fantastic in 20th Century Studios/Marvel Studios’ ‘The Fantastic Four: First Steps’. Photo by Jay Maidment. © 2025 20th Century Studios / © and ™ 2025 Marvel.

    Given some recent big missteps, low box office returns for its movies and complaints about the interconnectedness of the Disney+ shows, the team behind the Marvel Cinematic Universe had its work cut out to prove that it still has what it takes to compete in the crowded comic book genre field.

    Add to that the pressure to properly –– after two attempts of variable quality back when 20th Century Fox owned the rights –– introduce Marvel’s “First Family” to the MCU, and you have the recipe for one almighty stress headache.

    Fortunately, in switching focus from an overloaded schedule and chaotically overstuffed character roster, the studio has found its feet again, with a movie that really works.

    Script and Direction

    Director Matt Shakman on the set of 20th Century Studios/Marvel Studios' 'The Fantastic Four: First Steps'. Photo by Jay Maidment. © 2025 20th Century Studios / © and ™ 2025 Marvel.
    Director Matt Shakman on the set of 20th Century Studios/Marvel Studios’ ‘The Fantastic Four: First Steps’. Photo by Jay Maidment. © 2025 20th Century Studios / © and ™ 2025 Marvel.

    Taking Stan Lee and Jack Kirby’s work as their inspiration, the various writers who contributed to ‘The Fantastic Four: First Steps’ (that would be Josh Friedman, Eric Pearson, Jeff Kaplan and newcomer Ian Springer) have managed to find a tone and a style of a peppy, retro-futuristic vision that both pays tribute to the characters’ 1960s comics origins and also feels like a fresh approach unmoored (at least until the end) from the wider universe.

    Keeping the focus on the leads and ditching a labored repeat of the Four’s origin story (we’re introduced to the characters having already been through their traumatic encounter with cosmic radiation, the backstory helpfully filled in via a TV show about them and montages) proves to be a strength of the new movie, allowing more time for the cast to shine.

    Also, this feels like a more human group, foibles and all, even if they have superpowers.

    Joseph Quinn as Johnny Storm/Human Torch in 20th Century Studios/Marvel Studios' 'The Fantastic Four: First Steps'. Photo by Jay Maidment. © 2025 20th Century Studios / © and ™ 2025 Marvel.
    Joseph Quinn as Johnny Storm/Human Torch in 20th Century Studios/Marvel Studios’ ‘The Fantastic Four: First Steps’. Photo by Jay Maidment. © 2025 20th Century Studios / © and ™ 2025 Marvel.

    In directing terms, this is the most confident that Marvel has been in years, ‘WandaVision’ veteran Matt Shakman delivering a movie that has the feeling of being finely tooled rather than slapped together to meet a release date deadline.

    From the visuals, whose effects feel finished and work for the world the movie portrays to the performances, which all blend together, this is a truly solid effort from the company.

    If there are issues to be found, it’s in the creeping influence of the wider Marvel storyline –– it’s hard to truly feel threat when you know that the main cast will be back in future movies. Yes, that’s part and parcel for introductions, and no-one truly expects the company to bring in some of its most famous icons only to slaughter them, but the tropes are tropes for a reason.

    But the journey this story takes remains much more enjoyable than the clumsily drawn and edited exploits of ‘Captain America: Brave New World’.

    Cast and Performances

    (L to R) Pedro Pascal as Reed Richards/Mister Fantastic, Ada Scott as Franklin Richards and Vanessa Kirby as Sue Storm/Invisible Woman in 20thin 20th Century Studios/Marvel Studios' 'The Fantastic Four: First Steps'. Photo by Jay Maidment. © 2025 20th Century Studios / © and ™ 2025 Marvel.
    (L to R) Pedro Pascal as Reed Richards/Mister Fantastic, Ada Scott as Franklin Richards and Vanessa Kirby as Sue Storm/Invisible Woman in 20thin 20th Century Studios/Marvel Studios’ ‘The Fantastic Four: First Steps’. Photo by Jay Maidment. © 2025 20th Century Studios / © and ™ 2025 Marvel.

    You might be feeling Pedro Pascal overload right now given the sheer amount of recent roles and pop cultural dominance, but there’s no doubting the humanity and sensitivity he brings to super-genius Reed Richards. This is a hero who, despite his incredible smarts, isn’t always as sure of himself as he might be, and impending fatherhood weighs heavy on him.

    Pascal is suitably smooth when needed, but enjoyably nerdy.

    He plays well off of Vanessa Kirby’s Sue Storm, who is better used than previous takes on the character and benefit from Kirby’s ability to bring life to a woman facing a big life change while embracing her abilities.

    Joseph Quinn is an entertainingly endearing Johnny Storm, still a ladies’ man, but here much more well-rounded than the usual hunky version of the hero.

    Ebon Moss-Bachrach as Ben Grimm/The Thing in 20th Century Studios/Marvel Studios' 'The Fantastic Four: First Steps'. Photo by Jay Maidment. © 2025 20th Century Studios / © and ™ 2025 Marvel.
    Ebon Moss-Bachrach as Ben Grimm/The Thing in 20th Century Studios/Marvel Studios’ ‘The Fantastic Four: First Steps’. Photo by Jay Maidment. © 2025 20th Century Studios / © and ™ 2025 Marvel.

    Ebon Moss-Bachrach, helped by some excellent effects work, is a less tortured, more assured take on The Thing.

    Around the leads, the world is filled out effectively by the threats: Ralph Ineson’s rumbling tones are put to good use as Galactus, while Julia Garner brings steely menace but also real heart to the role of Shalla-Bal, the Silver Surfer who heralds the arrival of her planet-munching master.

    And the likes Mark Gatiss (as an enthusiastic TV host) and Paul Walter Hauser (as a fun, different take on Harvey Elder, the Mole Man of the comics), bring quality to smaller supporting roles.

    Final Thoughts

    Julia Garner as Shalla-Bal/Silver Surfer in 20th Century Studios/Marvel Studios' 'The Fantastic Four: First Steps'. Photo by Jay Maidment. © 2025 20th Century Studios / © and ™ 2025 Marvel.
    Julia Garner as Shalla-Bal/Silver Surfer in 20th Century Studios/Marvel Studios’ ‘The Fantastic Four: First Steps’. Photo by Jay Maidment. © 2025 20th Century Studios / © and ™ 2025 Marvel.

    Though the mid-credits scene feels the strain of setting up the next step in the Four’s adventures, it’s a minor issue for a movie that is well thought-out, purposefully designed and truly fun to watch.

    If Marvel can keep up this level of quality over quantity going forward, the prospects are bright, as this is the most purely satisfying MCU effort since the heady days of ‘Avengers: Endgame’.

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    What’s the story of ‘The Fantastic Four: First Steps’?

    Set against the vibrant backdrop of a 1960s-inspired, retro-futuristic world, ‘The Fantastic Four: First Steps’ introduces Marvel’s First Family — Reed Richards/Mister Fantastic (Pedro Pascal), Sue Storm/Invisible Woman (Vanessa Kirby), Ben Grimm/The Thing (Ebon Moss-Bachrach) and Johnny Storm/Human Torch (Joseph Quinn) as they face their most daunting challenge yet.

    Forced to balance their roles as heroes with the strength of their family bond, they must defend Earth from a ravenous space god called Galactus (Ralph Ineson) and his enigmatic Herald, Silver Surfer (Julia Garner). And if Galactus’ plan to devour the entire planet and everyone on it weren’t bad enough, it suddenly gets very personal…

    Who is in the cast of ‘The Fantastic Four: First Steps’?

    • Pedro Pascal as Reed Richards/Mr. Fantastic
    • Vanessa Kirby as Sue Storm/The Invisible Woman
    • Joseph Quinn as Johnny Storm/The Human Torch
    • Ebon Moss-Bachrach as Ben Grimm/The Thing
    • Ralph Ineson as Galactus
    • Julia Garner as the Silver Surfer
    • Mark Gatiss as Ted Gilbert
    • Sarah Niles as Lynne Nichols
    • Paul Walter Hauser as Harvey Elder/Mole Man
    Vanessa Kirby as Sue Storm/Invisible Woman in 20th Century Studios/Marvel Studios' 'Fantastic Four: First Steps'. Photo courtesy of 20th Century Studios/Marvel Studios. © 2025 20th Century Studios / © and ™ 2025 Marvel.
    Vanessa Kirby as Sue Storm/Invisible Woman in 20th Century Studios/Marvel Studios’ ‘Fantastic Four: First Steps’. Photo courtesy of 20th Century Studios/Marvel Studios. © 2025 20th Century Studios / © and ™ 2025 Marvel.

    List of ‘Fantastic Four’ Movies and TV Shows:

    Buy Tickets: ‘The Fantastic Four: First Steps’ Movie Showtimes

    Buy MCU Movies On Amazon

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  • Movie Review: ‘40 Acres’

    Danielle Deadwyler in '40 Acres', a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.
    Danielle Deadwyler in ’40 Acres’, a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.

    ‘40 Acres’ receives 8.5 out of 10 stars.

    Opening in theaters on July 2nd is ‘40 Acres’, which sees a family battling to survive in a post-apocalyptic Canada where roving bands of raiders threaten their precious farm land.

    Directed by R.T. Thorne (‘Kung Fu’), the movie stars Danielle Deadwyler (‘The Harder They Fall’), Michael Greyeyes (‘1923’), Kataem O’Connor (‘Time Cut’) and Milcania Diaz-Rojas (‘Share’).

    Related Article: Danielle Deadwyler and Jalyn Hall Talk Biographical Drama ‘Till’

    Initial Thoughts

    (L to R) Kataem O'Connor and Michael Greyeyes in '40 Acres', a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.
    (L to R) Kataem O’Connor and Michael Greyeyes in ’40 Acres’, a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.

    If you were surprised to learn that the movie ‘40 Acres’ exists, you’re probably not alone –– it was seemingly pushed into theaters in limited release against the hugely-promoted ‘Jurassic World Rebirth’ following a festival run.

    Yet despite seemingly appearing with little fanfare, R.T. Thorne’s movie proves to be an unexpected treat; a tense, impressively shot and acted thriller that follows some familiar narrative paths but does so with imagination and emotion.

    Script and Direction

    R. T. Thorne, director of '40 Acres', a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.
    R. T. Thorne, director of ’40 Acres’, a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.

    Randall Thorne has mostly worked in TV on the likes of ‘Kung Fu’, ‘Utopia Falls’ and ‘The Porter’. He’s also been honing his cinematic skills via short films and now brings them fully to bear on ‘40 Acres’, which proves to be an impressive debut.

    Writing the script with Glenn Taylor from a story he created alongside Lora Campbell, Thorne here wades into the sort of post-apocalyptic themes that have been well used by many titles in the past, not the least of which are ‘The Walking Dead’ and ‘The Last of Us’ on TV.

    What makes ‘40 Acres’ truly work is that Thorne and his co-writer didn’t skimp on building solid characters to populate this story. Hailey Freeman and her small but mighty brood are a winning combination of intensely focused survivors and loving family unit.

    Danielle Deadwyler in '40 Acres', a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.
    Danielle Deadwyler in ’40 Acres’, a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.

    The focus might be on the likes of Danielle Deadwyler’s Hailey and Kataem O’Connor’s Emanuel to drive the plot, the others aren’t simply ciphers.

    And while the threats to the family are by their very nature more loosely sketched, there is enough about them and the wider community that the Freemans interact with to make the world come alive (even as people are dying all over the place).

    Thorne’s directorial efforts here are well-used, as he’s made a stylish, effective thriller that doesn’t pull its punches (or shots) and posits a real threat to the Freemans from a new group of roving cannibals who are taking down farm after farm.

    The action is also above par –– thanks to a committed cast and stunt team, the set-pieces feel narratively suitable rather than just thrown in for good measure.

    Cast and Performances

    (L to R) Danielle Deadwyler, Michael Greyeyes, Kataem O'Connor, Haile Amare and Jaeda LeBlanc in '40 Acres', a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.
    (L to R) Danielle Deadwyler, Michael Greyeyes, Kataem O’Connor, Haile Amare and Jaeda LeBlanc in ’40 Acres’, a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.

    Danielle Deadwyler has brought her particular brand of intensity to movies including ‘Carry On’, and perhaps even more fittingly, this year’s ‘The Woman in the Yard’ where she also had to defend a rural home from a lurking threat (albeit a more supernatural one in that film’s case).

    Hailey Freeman is a great fit for her –– the former soldier who brings her military training to her entire family and who will do anything to defend them brings out the best in an actor who knows how to seethe and plan without ever seeming one-dimensional. The role also gives her the chance to showcase an emotional side when dealing with her partner and the kids.

    Michael Greyeyes in '40 Acres', a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.
    Michael Greyeyes in ’40 Acres’, a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.

    Michael Greyeyes matches her as Galen, the Native American fellow veteran who fell for Hailey and now shares the burden of keeping their family safe. He’s warm and witty when needed, but like his other half, a badass when the moment calls for it.

    Kataem O’Connor’s Manny is perhaps the character who falls most into typical narrative traps as a young man pushing at the boundaries of restricted life, and who puts the group at risk because he wants to experience more. But even he’s a well-drawn character, with O’Connor giving him more than the usual sulky older teen mood.

    Milcania Diaz-Rojas as Dawn, the unexpected new focus of Manny’s attention is also good, a tough yet sensitive fellow survivor who goes beyond the basic idea of a love interest where other movies stumble.

    Final Thoughts

    Danielle Deadwyler in '40 Acres', a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.
    Danielle Deadwyler in ’40 Acres’, a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.

    Given how well it turned out, ‘40 Acres’ deserved much more attention upon release, and will hopefully be something of a sleeper success, even if it finds its audience on streaming or elsewhere.

    Those who enjoy a well-crafted story of man’s inhumanity to man when the chips are down (and the crops are dying) should certainly track this one down.

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    What’s the story of ‘40 Acres’?

    After a plague eradicates all animal life, famine spreads across the globe leaving society at war and in ruins, but the Freemans are surviving — even thriving — on their ancestral farm so long as they dispatch the occasional raiding party. But what good is surviving the end of the world if it means snuffing out your own humanity?

    Former soldier Hailey (Danielle Deadwyler) made that choice years ago, believing that isolation was the only way to protect her family. She and her partner Galen (Michael Greyeyes) fled the collapse along with their children, fenced them off from the world and trained them to fight.

    But now Hailey’s eldest Emanuel (Kataem O’Connor) is a young man, and when he meets a young woman (Milcania Diaz-Rojas) in the forest beyond the fence, his need for human contact could place the whole family in jeopardy.

    Who is in the cast of ‘40 Acres’?

    '40 Acres', a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.
    ’40 Acres’, a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.

    List of Movies and TV Shows Featuring Danielle Deadwyler:

    Buy Tickets: ’40 Acres’ Movie Showtimes

    Buy Danielle Deadwyler Movies and TV on Amazon

     

  • Doug Liman to Direct ‘The Stand’ Adaptation

    (Left) Director Doug Liman on the set of 'The Instigators'. Photo: Apple TV+. (Right) Owen Teague as Harold Lauder in the CBS All Access series 'The Stand.' Photo: Robert Falconer/CBS ©2020 CBS Interactive, Inc. All Rights Reserved.
    (Left) Director Doug Liman on the set of ‘The Instigators’. Photo: Apple TV+. (Right) Owen Teague as Harold Lauder in the CBS All Access series ‘The Stand.’ Photo: Robert Falconer/CBS ©2020 CBS Interactive, Inc. All Rights Reserved.

    Preview:

    • Doug Liman in developing an adaptation of ‘The Stand.’
    • Stephen King’s 1987 tale is considered among his best.
    • Paramount Pictures is backing the new movie project.

    There are certain things you can count on in life. The changing of the seasons. The tides of the sea. A studio or filmmaker deciding to adapt a Stephen King story.

    Yes, the prolific horror writer’s back catalogue is in the spotlight yet again as Doug Liman –– he of ‘Swingers’, ‘The Bourne Identity’ and most recently, the ‘Road House’ update –– is on board to handle one of King’s most famous tales, ‘The Stand’.

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    Paramount Pictures is, per The Hollywood Reporter, teaming up with the director to adapt the novel into a movie, bringing to the big screen something that has previously been miniseries.

    Related Article: Doug Liman says He and Tom Cruise Still Talk About ‘Edge of Tomorrow’ Sequel

    What’s the story of ‘The Stand’?

    (L to R) Jovan Adepo and James Marsden in the CBS All Access series 'The Stand.' Photo: Robert Falconer/CBS ©2020 CBS Interactive, Inc. All Rights Reserved.
    (L to R) Jovan Adepo and James Marsden in the CBS All Access series ‘The Stand.’ Photo: Robert Falconer/CBS ©2020 CBS Interactive, Inc. All Rights Reserved.

    The book, first published in 1978 then revised in 1990, is a bar-setting literary genre offering that has long influenced pop culture and inspired many other takes on post-apocalyptic narratives across different media.

    An ambitious story of good vs. evil, it takes place in an America after a virus wipes out most of the population and follows dozens of characters in overlapping storylines running over many years. And while readers root for the characters such as the Trashcan Man and Mother Abigail, the final showdown came down to a group of survivors fighting the Antichrist-like Randall Flagg in the wasteland known as Las Vegas.

    ‘The Stand’ has, as mentioned above been adapted twice as a miniseries, once in 1994 and again in 2020 (pretty sure no one was really ready to watch it as Covid initially gripped the world), and as comic by Marvel Comics.

    There’s a reason it has primarily been made into miniseries form: the book is King’s longest work, with a whopping page count of 1,152.

    The history of people trying to adapt it into a movie is a litany of different filmmakers, none of whom got it over the finishing line: directors including George A. Romero, David Yates to Ben Affleck and Josh Boone  (the latter ended up involved with the 2020 miniseries) have tried to tackle the material, and Warner Bros. and CBS Films partnered on developing it in the 2010s.

    Now Paramount, working with Liman and producer Tyler Thompson of Cross Creek Pictures (who previously helped the director shoot Tom Cruise effort ‘American Made’ for Universal) are meeting with writers to develop Liman’s particular take –– described by THR’s sources as a one-movie idea rather than trying to launch a franchise –– into script form.

    What else is Doug Liman developing?

    Matt Damon, Casey Affleck, Hong Chau and director Doug Liman from Apple Original Films’ “The Instigators” make an appearance at View Boston.
    (L to R) Matt Damon, Casey Affleck, Hong Chau and director Doug Liman from Apple Original Films’ “The Instigators” make an appearance at View Boston. Photo: Marion Curtis / Starpix for Apple Original Films.

    Liman is a real genre-hopper who hates being tied down to one sort of movie, and he has several other plates spinning right now.

    Right now, he’s shooting ‘Everest’, which stars Ewan McGregor as British mountain climber George Mallory, the explorer who made multiple attempts to scale the titular peak throughout the 1920s.

    And then there’s ‘Deeper’ in development, an underwater supernatural thriller that is being targeted for Cruise and Ana de Armas (because as the latest ‘Mission: Impossible’ movie can attest, Cruise loves spending time underwater).

    The director keeps talking about the potential for another Cruise reunion –– a sequel to sci-fi ‘Edge of Tomorrow,’ though despite the tantalizing prospect, it remains just out of reach.

    Then we have the big maybes, such as a movie that could be shot on the International Space Station, starring –– you guessed it! –– one Thomas Cruise Mapother IV, a new movie adaptation of ‘The Saint’ TV show and a variety of others.

    That’s not even getting into his list as a producer, but to document all of those would take probably about the same word count as ‘The Stand’.

    When will ‘The Stand’ be on screens?

    While Liman is a director who can get movies made, even the fact that it has a studio attached is no guarantee that this will either move quickly or even reach screens.

    Add to that the fact that the movie doesn’t have a writer aboard yet, let alone a cast, and we’d expect to be waiting a couple of years for this one. So, er, stand still for now?

    (L to R) Whoopi Goldberg in the CBS All Access series 'The Stand.' Photo: Robert Falconer/CBS ©2020 CBS Interactive, Inc. All Rights Reserved.
    (L to R) Whoopi Goldberg in the CBS All Access series ‘The Stand.’ Photo: Robert Falconer/CBS ©2020 CBS Interactive, Inc. All Rights Reserved.

    Other Steven King Movies:

    Buy Stephen King Movies On Amazon

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  • Movie Review: ‘M3GAN 2.0’

    M3GAN in 'M3GAN 2.0', directed by Gerard Johnstone. Photo: Universal Pictures.
    M3GAN in ‘M3GAN 2.0’, directed by Gerard Johnstone. Photo: Universal Pictures.

    ‘M3GAN 2.0’ receives 5.5 out of 10 stars.

    Opening in theaters June 27 is ‘M3GAN 2.0,’ written and directed by Gerard Johnstone and starring Allison Williams, Violet McGraw, Amie Donald, Jenna Davis, Ivanna Sakhno, Brian Jordan Alvarez, and Jemaine Clement.

    Related Article: Where To Watch the Blumhouse Thriller ‘M3GAN’ and its Unrated Version

    Initial Thoughts

    (from left) M3gan and Amelia (Ivanna Sakhno) in 'M3GAN 2.0', directed by Gerard Johnstone. Photo: Universal Pictures.
    (from left) M3gan and Amelia (Ivanna Sakhno) in ‘M3GAN 2.0’, directed by Gerard Johnstone. Photo: Universal Pictures.

    If you think of 2023’s ‘M3GAN’ as ‘The Terminator,’ then ‘M3GAN 2.0’ is in many ways the ‘Terminator 2’ of this budding franchise. By that we mean it’s bigger, more lavishly produced, louder, and more action-packed. And it actually kind of follows the same story beats as ‘Terminator 2’ in its own fashion. But while ‘T2’ is as much of a classic and perhaps even better than its predecessor, we can’t say the same for ‘M3GAN 2.0.’

    In its ambition to be a bigger film with something on its mind, yet while trying to retain the campy, comedic tone of the first movie, ‘M3GAN 2.0’ falls into the all-too-familiar trap of accomplishing neither. It’s funny from time to time, with a few good jokes (although not necessarily worthy of the loud performative laughter that bellowed in our theater), and the cast – particularly the tag team of Amie Donald and Jenna Davis as the body and voice of M3GAN, respectively – are all committed to the bit. But the movie doesn’t quite achieve the balance it strives for and ends up becoming more uninteresting and incoherent as it cranks along for nearly two hours.

    Story and Direction

    Director Gerard Johnstone on the set of 'M3GAN 2.0', directed by Gerard Johnstone. Photo: Universal Pictures.
    Director Gerard Johnstone on the set of ‘M3GAN 2.0’, directed by Gerard Johnstone. Photo: Universal Pictures.

    ‘Terminator 2’ is a good comparison plot-wise here. Whereas the relentless killing machine of ‘The Terminator’ became the good guy in ‘Terminator 2,’ sworn to protect John Connor against an even more formidable and seemingly unstoppable enemy, pretty much the same thing happens in ‘M3GAN 2.0.’ Two years after M3GAN was apparently destroyed by Gemma (Allison Williams) after a murderous rampage in which the android doll killed everyone it deemed a threat to Gemma’s orphaned niece Cady (Violet McGraw), traces of her still linger in their home security system and a little robot in which Gemma has encased her creation’s files. Gemma, meanwhile, has become an activist for reducing the presence of A.I. and smartphones in people’s – especially kids’ – lives.

    M3GAN’s original coding, however, has been hacked by persons unknown and developed in another robot, an autonomous military engagement logistics and infiltration android, aka AMELIA (Ivanna Sakhno). But while surreptiously deployed on a black ops mission by U.S. intelligence, AMELIA goes rogue and soon starts killing everyone associated with her creation and that of M3GAN. With Gemma, her assistants Tess (Jen Van Epps) and Cole (Brian Jordan Alvarez), and Cady presumably on that list, they have no choice but to reboot M3GAN into a brand-new cybernetic body and trust her to protect them from AMELIA. But can she be trusted?

    In another callout to ‘Terminator 2’ (among additional nods to movies like ‘RoboCop,’ ‘Ex Machina,’ and others), AMELIA has a Skynet-like desire to cripple human society by taking control of all our electronics, cloud services, and other online capabilities. There is even another artificial intelligence that comes into play in the second half of the movie that can seemingly provide AMELIA with godlike omniscience, although that is one of the many facets of director Gerard Johnstone’s busy, overstuffed script that kind of overloads the movie’s circuit board. There are also government agencies and rival corporate interests involved, although it doesn’t all make sense much of the time.

    M3GAN in 'M3GAN 2.0', directed by Gerard Johnstone. Photo: Universal Pictures.
    M3GAN in ‘M3GAN 2.0’, directed by Gerard Johnstone. Photo: Universal Pictures.

    Whereas the first movie was a relatively contained, effective, bracing, and lively blend of horror and camp, ‘M3GAN 2.0’ is all over the place story-wise. Exposition, betrayals, mind-melds, and robotic reboots pile endlessly atop one another in a snarl of narrative threads that would clog up any computer’s cache. It’s hard to keep track of who’s double-crossing who as the movie goes on, and it’s not helped by a particularly weak villain whose reveal is not that surprising but also doesn’t provide the necessary spark to liven things up.

    But most importantly, ‘M3GAN 2.0’ is simply not as much fun as the first movie. It’s not as fresh, its plot is derivative as we’ve noted, and the dark hilarity of the first film only comes in fits and spurts here. Johnstone seems to have more trouble balancing the tone this time around, perhaps because his script is not as witty as that of the first film (which was written by Akela Cooper). There are some good lines, some decent violence and action (M3GAN and AMELIA both know how to dispatch people in some pretty bloody ways), and a couple of emotional beats that stick the landing. But when the movie has to contrive a way to work a new dance number for M3GAN into the movie just because they have to call back to that now-classic meme/scene from the first film, you have to wonder why this sequel exists.

    Cast and Performances

    (L to R) Allison Williams as Gemma and Aimie Donald as M3GAN in ‘M3GAN 2.0,’ directed by Gerard Johnstone. Photo: Universal Pictures.

    The non-human characters here are still the main attraction. Amie Donald and Jenna Davis effortlessly recapture both the weird, uncanny valley physicality of M3GAN and her deceptively innocent voice, and the A.I. blurting out “What the f**k is this?” when she first finds herself in a little tabletop robot that looks like a Teletubby is a laugh-out-loud moment. Donald and Davis give an authentic performance together and make M3GAN’s arc believable and even poignant at points.

    Ivanna Sakhno (‘Ahsoka’) is both magnetic and chilling as AMELIA, bringing an efficient coldness to the character even if her motivations and self-awareness are one of the murkier aspects of the story. Allison Williams is less the human center of the story this time – this is much more of an ensemble piece – but is confident throughout and does offer some funny moments of her own, as when she implores M3GAN to “not get to the chorus” as the latter begins singing Kate Bush’s ‘This Woman’s Work’ to convince Gemma that she’s actually a good mom.

    The rest of the cast range in tone and ability from perfectly fine to just adequate, while Jemaine Clement arrives early to steal every scene he’s in as a debauched, unscrupulous tech billionaire who wants to subsidize Gemma’s latest invention – exosuits to help humans perform physically demanding tasks – and is eager to invest in taking her clothes off as well. He’s one of the film’s more consistent comic bright spots.

    Final Thoughts

    Ivanna Sakhno as Amelia in 'M3GAN 2.0', directed by Gerard Johnstone. Photo: Universal Pictures.
    Ivanna Sakhno as Amelia in ‘M3GAN 2.0’, directed by Gerard Johnstone. Photo: Universal Pictures.

    Shot by cinematographer Toby Oliver, ‘M3GAN 2.0’ is a handsome production indeed, with some sumptuous sets and lighting throughout, while the visual effects team (and animatronics lead Mark Setrakian) bring M3GAN to life around Donald’s performance even more seamlessly and realistically this time, along with AMELIA. The production values here are a step up from the first film and it’s on the screen.

    But something got lost along the way, and ‘M3GAN 2.0’ feels more like corporate product than hand-crafted fun like the first film. Gerard Johnstone’s underlying message is a plea to not let A.I. take over our lives and world – ironic given how A.I. even now is snaking its way deeper and deeper into the production of film and TV. Let’s hope that by the time the third film rolls around (and that door is left fully open, by the way), ChatGPT won’t be writing the script on its own. Even the tonal and narrative confusion of ‘M3GAN 2.0’ would be better than that.

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    What is the plot of ‘M3GAN 2.0’?

    Two years after the robot M3GAN (Amie Donald) embarked on a murderous rampage before being destroyed, her tech has been stolen and misused by a powerful defense contractor to create a military-grade robot named AMELIA (Ivanna Sakhno), which becomes a threat to human existence. M3GAN’s creator Gemma (Allison Williams) is convinced by her niece Cady (Violet McGraw) that the only option is to resurrect M3GAN and give her a few upgrades so she can defeat AMELIA — or can she?

    Who is in the cast of ‘M3GAN 2.0’?

    • Allison Williams as Gemma
    • Violet McGraw as Cady
    • Amie Donald as M3GAN
    • Jenna Davis as the voice of M3GAN
    • Brian Jordan Alvarez as Cole
    • Jen Van Epps as Tess
    • Aristotle Athari as Christian
    • Ivanna Sakhno as AMELIA
    • Jemaine Clement as Alton Appleton
    M3GAN in 'M3GAN 2.0', directed by Gerard Johnstone. Photo: Universal Pictures.
    M3GAN in ‘M3GAN 2.0’, directed by Gerard Johnstone. Photo: Universal Pictures.

    Other Movies Similar To ‘M3GAN 2.0’

    Buy Tickets: ‘M3GAN 2.0’ Movie Showtimes

    Buy Blumhouse Movies on Amazon

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  • Mel Brooks, Bill Pullman & More Back for ‘Spaceballs’ Sequel

    John Candy, Joan Rivers, Daphne Zuniga and Bill Pullman in 'Spaceballs'.
    (L to R) John Candy, Joan Rivers, Daphne Zuniga and Bill Pullman in ‘Spaceballs’. Photo: Metro-Goldwyn-Mayer.

    Preview

    • Mel Brooks is set to return as Yogurt for the ‘Spaceballs’ sequel movie.
    • Bill Pullman and Daphne Zuniga are aboard to reprise their roles.
    • Josh Greenbaum is directing for Amazon/MGM.

    The Schwarz is still strong with Mel Brooks and his ‘Spaceballs’ cast.

    Following on from the news a year ago that Brooks and Josh Gad were leading the development of a sequel to Brooks’ 1987 ‘Star Wars’ (and other sci-fi movies) comedy riff.

    Amazon MGM Studios has announced that, as we perhaps might have predicted, Brooks will be back in front of the camera as well as behind it, playing the mystical, Yoda-spoofing Yogurt.

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    Gad is on board to co-write and produce, and will likely be showing up on screen in some capacity.

    And that’s not all: there has been a flurry of other casting stories, with Deadline bringing word that Bill Pullman is returning to play Lone Starr, while in even more surprising news, Rick Moranis will be back as the villainous Dark Helmet.

    The Wrap, meanwhile, has a report that Daphne Zuniga plans to join her old ‘Spaceballs’ colleagues, playing Princess Vespa.

    It’s not just veterans, either: Deadline’s report mentions that ‘One of Them Days’ star Keke Palmer is also aboard the movie, playing an unknown new role called Destiny.

    Keeping it in the family, meanwhile, The Hollywood Reporter has the story that Bill’s son Lewis Pullman, recently seen in ‘Thunderbolts,’ will join the cast to play a character named Starburst, the son of Lone Star and Vespa.

    Related Article: Mel Brooks and Josh Gad are Planning a Sequel to ‘Spaceballs’

    What was the story of ‘Spaceballs’?

    Bill Pullman and Mel Brooks in 'Spaceballs'.
    (L to R) Bill Pullman and Mel Brooks in ‘Spaceballs’. Photo: Metro-Goldwyn-Mayer.

    The original ‘Spaceballs’, directed by Brooks from a script he wrote with Thomas Meehan and Ronny Graham, starred Bill Pullman as the aforementioned Lone Starr, a scruffy hero in the Han Solo mold who has to stop the nefarious President Skroob (Brooks) from stealing the atmosphere of the peaceful planet Druidia.

    Along the way, he comes to the aid of Vespa (Zuniga) and her sarcastic robot maid Dot Matrix (voiced by Joan Rivers). John Candy plays Starr’s faithful half-man/half-dog sidekick Barf and Moranis is superb Vader spoof Dark Helmet.

    Spaceballs’ doesn’t just target George Lucas’ work, however: there are also riffs on the likes of ‘Planet of the Apes’, ‘Star Trek’ and in one particularly memorable moment, ‘Alien’.

    Though the movie didn’t exactly triumph at the box office (it ended up with $38.1 million worldwide) but has long since been considered a cult classic.

    Plot details for the new film have yet to be revealed, but Deadline mentions that people who have not yet read the script describe it as “A Non-Prequel Non-Reboot Sequel Part Two but with Reboot Elements Franchise Expansion Film.” Which if you ask us, sounds like the sort of line Mel Brooks would spin about the movie in order to get a laugh.

    Who is making the new ‘Spaceballs’?

    Director Josh Greenbaum with Reggie on the set of 'Strays.'
    Director Josh Greenbaum with Reggie on the set of ‘Strays.’

    With Gad on board to star and produce, he’s also co-written the script with Benji Samit and Dan Hernandez, who worked on ‘Pokémon: Detective Pikachu’.

    Josh Greenbaum, who made ‘Strays’ (for which Gad provided a voice) and ‘Barb and Star go to Vista Del Mar’, is in the director’s chair. He feels like a good fit for a new ‘Spaceballs’, since he’s proved he can handle wacky comedy with some emotional undertones.

    Brian Grazer’s Imagine Entertainment is also aboard, and he’ll producing alongside Brooks, Gad, Jeb Brody and Greenbaum, with Kevin Salter, Adam Merims, Samit, and Hernandez as executive producers.

    Rick Moranis and George Wyner in 'Spaceballs'.
    (L to R) Rick Moranis and George Wyner in ‘Spaceballs’. Photo: Metro-Goldwyn-Mayer.

    Moranis is perhaps the most shocking of the new announcements, since he’s barely been seen on screens for more than a decade and hasn’t come back for extensions of other franchises such as ‘Ghostbusters’.

    Here’s what he told Heeb magazine back in 2013 about the stalled original plan for a ‘Spaceballs’ sequel:

    “I wasn’t privy to what the budget was or anything, but the deal [Brooks] presented me, what he wanted me to do, was not workable. It was two or three years later. He wanted me to… it’s better if I don’t get into the particulars of it. Because it is so specific, it’s counterproductive to talk about it. But I was unable to make a deal, and it would have been something I would have wanted to do. But that ship has sailed.”

    Looks like the ship has come back into the harbor!

    When will the ‘Spaceballs’ sequel be on screens?

    While Amazon MGM Studios has yet to confirm an exact date, Deadline mentions a planned 2027 theatrical launch.

    Mel Brooks in 'Spaceballs'.
    Mel Brooks in ‘Spaceballs’. Photo: Metro-Goldwyn-Mayer.

    List of Mel Brooks Movies and TV Shows:

    Buy Mel Brooks Movies on Amazon

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  • TV Review: ‘Black Mirror’ Season 7

    Cristin Milioti in 'Black Mirror' season 7. Photo: Nick Wall/Netflix.
    Cristin Milioti in ‘Black Mirror’ season 7. Photo: Nick Wall/Netflix.

    ‘Black Mirror’ Season 7 receives 8 out of 10 stars.

    Returning to Netflix on April 10th for a seventh season of anthology tales blending techno-terror with emotion, ‘Black Mirror’ proves it still has what it counts as the modern-day equivalent of ‘The Outer Limits’ or ‘The Twilight Zone.’

    And this time, with six episodes in play, there is a greater scope for stories to be told compared to some of the more compacted recent seasons. It’s also reassuring that, after some slightly less effective entries, the seventh season finds the show handily back on form.

    Related Article: Paul Giamatti Talks ‘The Holdovers’ and Reuniting with Alexander Payne

    Does ‘Black Mirror’ Season 7 reflect well on the series?

    Paul Giamatti in 'Black Mirror' season 7. Photo: Nick Wall/Netflix.
    Paul Giamatti in ‘Black Mirror’ season 7. Photo: Nick Wall/Netflix.

    ‘Black Mirror’ has always been about more than simply darkly shaded warnings about the use (and mis-use of technology); it’s about humans and how we interact, also. Season 7 definitely lives up to that aim, offering some persuasive tales of those whose lives are impacted by innovations in medical science or tech in general.

    It’s also welcome to see the series following up on a couple of popular episodes –– while the sequel to ‘USS Callister’ doesn’t have the sting of the original, for example, it expands it in interesting ways and deepens one of the characters in the process.

    Script and Direction

    Will Poulter in 'Black Mirror' season 7. Photo: Nick Wall/Netflix.
    Will Poulter in ‘Black Mirror’ season 7. Photo: Nick Wall/Netflix.

    Charlie Brooker, the show’s co-creator, once again leads the writing team here, working alongside the likes of Bisha K. Ali, Ella Road, William Bridges, and Bekka Bowling to put out more gripping tales. A highlight of the writing this time in the first entry, ‘Common People,’ with its spin on ever-changing subscription services this time applied to live-saving medical treatment. It’s emotional and thorough, and heartbreaking when needed.

    On a more darkly funny level is ‘Bête Noire,’ with its vengeful story of old resentments curdled into fresh vengeance. We won’t reveal exactly what is going on, but the answer is a fun one.

    Directing wise, it’s reassuring to see such filmmakers as David Slade and Toby Hynes brought back to handle the two episodes –– ‘Plaything’ and ‘USS Callister: Into Infinity’ that call back to their previous work.

    All in all, though, the direction is superb –– stylish when required, subtle at other times.

    Cast and Performances

    (L to R) Chris O'Dowd and Rashida Jones in 'Black Mirror' season 7. Photo: Nick Wall/Netflix.
    (L to R) Chris O’Dowd and Rashida Jones in ‘Black Mirror’ season 7. Photo: Nick Wall/Netflix.

    As has become commonplace for ‘Black Mirror,’ Season 7 boasts a quality ensemble for its various stories.

    Chris O’Dowd and Rashida Jones are at the heart of ‘Common People’ and put in turns that are funny, real and packed full of feeling, but not forgetting Tracee Ellis Ross as their company rep, who keeps pushing new updates with a smile, even when the couple struggle to keep up financially.

    ‘Hotel Reverie’ blends classic Hollywood with high-tech and features lovely work from Emma Corrin and Issa Rae, with fine support from Awkwafina and Harriet Walter.

    Peter Capaldi in 'Black Mirror' season 7. Photo: Nick Wall/Netflix.
    Peter Capaldi in ‘Black Mirror’ season 7. Photo: Nick Wall/Netflix.

    ‘Plaything’ hinges on the intense energy of Peter Capaldi, who really sells the focus of a man on a mission, but kudos also to Lewis Gribben, who plays the same character 40 years earlier.

    ‘Eulogy’ boasts excellent work from Paul Giamatti as a man haunted by grief and memory (literally in this case) and grapples with tough truths about his past.

    And ‘USS Callister: Into Infinity’ of course re-introduces us to the brave, digi-DNA copies of the crew (and their human counterparts), with Cristin Milioti, Jimmi Simpson and Jesse Plemons all fantastic returning to their roles.

    Final Thoughts

    Issa Rae in 'Black Mirror' season 7. Photo: Nick Wall/Netflix.
    Issa Rae in ‘Black Mirror’ season 7. Photo: Nick Wall/Netflix.

    While it has the usual highs and lows as in any ‘Black Mirror’ season, the highs far outweigh the lows, and for every episode that doesn’t shine as brightly (‘Bête Noire’ is a fun concept but doesn’t totally deliver), there is a wonderful show waiting to be injected into your eyes.

    Oh, and fans of the series will want to be on the lookout for a recurring motif; let’s just say it starts with the letter “J”…

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    What’s the story of ‘Black Mirror’ Season 7?

    The six-episode season of ‘Black Mirror’ features the following stories…

    ‘Common People’: When a medical emergency leaves schoolteacher Amanda fighting for her life, her desperate husband Mike signs her up for Rivermind, a high-tech system that will keep her alive –– but at a cost…

    ‘Bête Noire’: Confectionary whizz kid Maria is unnerved when her former schoolmate Verity joins the company she works at — because there’s something altogether odd about Verity, something only Maria seems to notice…

    ‘Hotel Reverie’: A high-tech, unusually immersive remake of a vintage British film sends Hollywood A-list star Brandy Friday into another dimension, where she must stick to the script if she ever wants to make it home.

    ‘Plaything’: In a near-future London, an eccentric murder suspect is linked to an unusual video game from the 1990s — a game populated by cute, evolving artificial lifeforms.

    ‘Eulogy’: An isolated man is introduced to a groundbreaking system that allows its users to literally step inside old photographs — stirring powerful emotions in the process.

    ‘USS Callister: Into Infinity’: Robert Daly is dead, but now the crew of the USS Callister –– led by Captain Nanette Cole –– are stranded in an infinite virtual universe, fighting for survival against 30 million players.

    Who stars in ‘Black Mirror’ Season 7?

    Awkwafina in 'Black Mirror' season 7. Photo: Nick Wall/Netflix.
    Awkwafina in ‘Black Mirror’ season 7. Photo: Nick Wall/Netflix.

    List of other anthology TV Shows:

    Buy ‘Black Mirror’ On Amazon

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  • ‘In the Lost Lands’ Exclusive Interview: Dave Bautista

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    Opening in theaters on March 7th is director Paul W. S. Anderson’s (‘Alien vs. Predator’ and ‘Pompeii’) ‘In the Lost Lands’, which stars Dave Bautista (‘Guardians of the Galaxy’ and ‘Glass Onion: A Knives Out Mystery’) and Milla Jovovich (‘Dazed and Confused’ and ‘Resident Evil’), and was adapted from a short story by George R. R. Martin (‘Game of Thrones’ and ‘House of the Dragon’).

    Related Article: Dave Bautista and Sofia Boutella Talk Action-Comedy ‘The Killer’s Game’

    Dave Bautista stars in 'In the Lost Lands'.
    Dave Bautista stars in ‘In the Lost Lands’.

    Moviefone recently had the pleasure of speaking with Dave Bautista about his work on ‘In the Lost Lands’, exploring the world of George R. R. Martin, the pressure that brings, acting opposite Milla Jovovich, and working on the VFX heavy project.

    You can read our full interview below or click on the video player above to watch our interviews with Bautista, Milla Jovovich, and director Paul W. S. Anderson.

    (L to R) Milla Jovovich and Dave Bautista in 'In the Lost Lands'. Photo: Vertical.
    (L to R) Milla Jovovich and Dave Bautista in ‘In the Lost Lands’. Photo: Vertical.

    Moviefone: To begin with, what was your first reaction to the screenplay and what was it like for you to explore the world created by author George R. R. Martin?

    Dave Bautista: Well, my first reaction reading the script was, “I love Boyce because he’s kind of that cowboy I’d been searching for.” Even though this wasn’t necessarily a Western, he just felt like he was ripped straight out of a Western. I loved that and I played him like that, and I thought about this film as, “This is my Western.” Initially, that was what drew me to the character. I just thought Boyce was cool, he’s a cool cowboy. Being George R. R. Martin’s first film comes with a lot of pressure that I’m really starting to feel. It’s a bit uncomfortable, but only because I want to live up to his standard, the standard that he set. He’s obviously very successful and I’m a fan. I don’t want to let people down, I don’t want to let him down, and I don’t want to let the fans down because I know they have high expectations. But those high expectations, they come with a price and that price is a lot of pressure.

    (L to R) Dave Bautista and Milla Jovovich in 'In the Lost Lands'. Photo: Vertical.
    (L to R) Dave Bautista and Milla Jovovich in ‘In the Lost Lands’. Photo: Vertical.

    MF: Just to follow up, did you feel that pressure while making the movie or are you still feeling it now as the film is being released?

    DB: I’m starting to feel it now because now it’s starting to become real. Obviously, we did this film a couple of years ago and we’ve been going through the whole process of filming, edits, sales and whatnot. Now, because it’s going to be released very soon, and I’m also starting to get feedback on the film, it’s now real. Also, I really struggle with this and it’s just a personal thing, but I always feel like I become a better actor, a better performer after every project. I’ve done this project, and we did a while ago now, so now when I go back and I look at it, I think, “Oh, I would’ve done this different. I would’ve done that different.” I’m critiquing myself and I’m picking myself apart. That’s just my self-conscious nature, I guess. But again, I don’t want to let any of his fans down. He’s obviously got a massive fan base and I don’t want to let anybody down. So that’s just the pressure that comes with it.

    (L to R) Milla Jovovich and Dave Bautista in 'In the Lost Lands'. Photo: Vertical.
    (L to R) Milla Jovovich and Dave Bautista in ‘In the Lost Lands’. Photo: Vertical.

    MF: Can you talk about the bond that Boyce and Gray Alys create together on this journey and what was it like for you working opposite Milla Jovovich?

    DB: It was awesome. I love Milla and I love her husband, Paul. They just made it so comfortable and just so easy. I had talked with Paul a lot before we did the film, and I knew that I was just going to have the time of my life working with him, but I didn’t really meet Milla until we started filming. If I’m a fan of people that I’m working with, I always try to just get it out of the way, and I hope that they’re receptive. If they’re not, and it makes them uncomfortable, then I must approach things differently. But she was so receptive of it, and she never really treated me like I was just a fanboy. She treated me like I was her peer and her equal and her co-star, so it just felt super comfortable. So, these are the kind of experiences that you pray for as an actor because it’s not always this great, but every day going to work on this film just felt like I was going to play with my friends. It was a very collaborative atmosphere and a lot of freedom. It was just fun.

    (L to R) Dave Bautista, director Paul W. S. Anderson, and Milla Jovovich on the set of 'In the Lost Lands'. Photo: Vertical.
    (L to R) Dave Bautista, director Paul W. S. Anderson, and Milla Jovovich on the set of ‘In the Lost Lands’. Photo: Vertical.

    MF: Finally, when you are working on a project like this that is so VFX heavy, is there an adjustment you must make for yourself as an actor?

    DB: There have been those experiences, but not so much on this one because even though I couldn’t see the big world that was around me, a lot of the immediate world was there for us, it was on stage. Also, it’s really about relationships, especially with Gray and Boyce. Working with Milla, you just kind of get sucked into those moments. The director worries about that, and he has his vision. He knows what that’s going to be, but as an actor, I just kind of get sucked into what’s there in front of me, what I can work with. I’ve had to adjust, but typically, they were on different projects. The Marvel stuff, there’s a lot of adjusting, a lot of adjusting. Even somewhat with ‘Dune’, there was some adjusting, but this one, not so much. I think what we needed to work with as far as performers are right there in front of us, it was all there for us. It was made very easy. But also, this was a very no-pressure film. I didn’t have that pressure of a big Marvel film or a big ‘Dune’-type film. There wasn’t the same type of pressure. This was very much, I don’t know, it felt like a family project where it was very contained and there were only a few people that I was working with every day and interacting with. So, it just felt very contained, very intimate, and very comfortable.

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    What is the plot of ‘In the Lost Lands’?

    A queen, desperate to find happiness in love, takes a daring step: she sends the powerful and feared witch Gray Alys (Milla Jovovich) to the “Lost Lands” to give her the magical gift of turning into a werewolf. With the mysterious hunter Boyce (Dave Bautista), who supports her in the fight against dark creatures and merciless enemies, Gray Alys roams an eerie and dangerous world. And only she knows that every wish she grants has unimaginable consequences.

    Who is in the cast of ‘In the Lost Lands’?

    (L to R) Milla Jovovich and Dave Bautista on the set of 'In the Lost Lands'. Photo: Vertical.
    (L to R) Milla Jovovich and Dave Bautista on the set of ‘In the Lost Lands’. Photo: Vertical.

    List of Dave Bautista Movies:

    Buy Tickets: ‘In the Lost Lands’ Movie Showtimes

    Buy Dave Bautista Movies On Amazon

  • Movie Review: ‘Slingshot’

    (L to R) Casey Affleck and Laurence Fishburne in Bleecker Street's 'Slingshot'. Credit: Bleecker Street.
    (L to R) Casey Affleck and Laurence Fishburne in Bleecker Street’s ‘Slingshot’. Credit: Bleecker Street.

    Opening in theaters on August 30th, ‘Slingshot’ is the latest contender in the already overstuffed genre of science-fiction psycho-thrillers. Largely a three-hander between Casey Affleck, Laurence Fishburne and ‘The BoysTomer Capone, it looks to mess with your head almost as much as it does its protagonist’s.

    Yet while it certainly builds atmosphere, the feeling here is very much that it’s following in the footsteps of other, better movies.

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    Does ‘Slingshot’ get up to speed?

    In space, the old saying goes, no-one can hear you scream. Yet you may find yourself screaming with frustration at ‘Slingshot’, which takes some bold swings in the psycho-thriller genre but ultimately comes up short when compared with classics such as ‘2001’ (admittedly, the new movie doesn’t have quite as such lofty themes on its mind) and is more likely to end up annoying than fascinating.

    A slow-burn start is fairly standard for this sort of movie, dropping hints about the main character’s mental state and background, and filling you in on the backstory before putting the actual mystery into play.

    ‘Slingshot’: Script and Direction

    (L to R) Laurence Fishburne, Casey Affleck, and Tomer Capone in Bleecker Street's 'Slingshot'. Credit: Bleecker Street.
    (L to R) Laurence Fishburne, Casey Affleck, and Tomer Capone in Bleecker Street’s ‘Slingshot’. Credit: Bleecker Street.

    The script for this new movie comes from an interesting duo –– R. Scott Adams (who gets the “written by” credit) has just one other film to his name, 2011 horror ‘Donner Pass’. Nathan Parker, meanwhile (“screenplay by”) has a more expansive resume, including ‘Equals’, TV’s ‘The Underground Railroad’ and perhaps more germane to a space thriller, ‘Moon’.

    But even with plenty of experience, ‘Slingshot’ ultimately comes across as reheated leftovers from other movies –– though it flirts with chewing over big themes such as isolation, the chain of command, paranoia and long-distance relationships –– it doesn’t really do all that much of interest with any of them.

    Neither does it give the cast a lot of interesting beats to play; each moment feeling a little stale and familiar as the situation starts to ratchet up the stress levels for their characters.

    Director Mikael Håfström, meanwhile, also has some solid work in his past; thrillers such as ‘The Rite’, ‘1408’, ‘Outside the Wire’ and ‘Vendetta’ to name just a few. Here, though, while he certainly manages to evoke some paranoia, a lot of what is presented is less than thrilling, from the normal concerns of humans suffering hibernation sickness and the talk of past problems between commanders and officers.

    Related Article: First look at Matt Damon and Casey Affleck in ‘The Instigators’ Pictures

    ‘Slingshot’: Performances

    There are three main performances anchoring this one, though a fourth plays almost as important a part. The cast certainly gives their all, but the characters aren’t always worth the effort.

    Casey Affleck as John

    Casey Affleck in Bleecker Street's 'Slingshot'. Credit: Bleecker Street.
    Casey Affleck in Bleecker Street’s ‘Slingshot’. Credit: Bleecker Street.

    Our focal point for the story is Affleck’s astronaut, and he brings his typical low-key energy to the role. John is a conflicted man, missing the woman he loves even though he’s finally on his lifelong dream to be on a space mission. As the situation and dynamics between the three main crewmembers begins to change, he’s the one person we follow through it all.

    Affleck is sometimes on autopilot here, going through the motions, and if you key into his particular weary charisma, the movie may work better for you.

    Laurence as Captain Franks

    (L to R) Laurence Fishburne and Casey Affleck in Bleecker Street's 'Slingshot'. Credit: Bleecker Street.
    (L to R) Laurence Fishburne and Casey Affleck in Bleecker Street’s ‘Slingshot’. Credit: Bleecker Street.

    Like Affleck, you pretty much know what you’re getting when you hire Fishburne, though he obviously has a much longer cinematic history and has put in some truly great performances. Here, he’s not asked to do too much more than bring his usual charisma to a slightly underwritten, cliched role, the positive commander who is hiding something.

    There’s plenty to enjoy in his work here still.

    Toper Capone as Nash

    Tomer Capone in Bleecker Street's 'Slingshot'. Credit: Bleecker Street.
    Tomer Capone in Bleecker Street’s ‘Slingshot’. Credit: Bleecker Street.

    Capone, who is probably best known for his role as Frenchie on Prime Video’s ‘The Boys’, has the chance to be something more surprising since he’s not quite the well-established performer like his co-stars.

    As Nash, he’s the nervier crew member, convinced that something is going badly wrong with the spaceship and is concerned that they shouldn’t attempt the titular “slingshot” maneuver that will see them using Jupiter’s gravity to speed them on their way to Titan, the moon of Saturn.

    Emily Beecham as Zoe

    (L to R) Emily Beecham and Casey Affleck in Bleecker Street's 'Slingshot'. Credit: Bleecker Street.
    (L to R) Emily Beecham and Casey Affleck in Bleecker Street’s ‘Slingshot’. Credit: Bleecker Street.

    The fourth key member of the cast, Beecham plays the lead of the engineering team that designed the Odyssey-1 ship at the heart of the story. Her tentative, yet passionate relationship with John is also part of the movie’s emotional core, told partly in flashback. She’s perfectly fine in the role, though it mostly subjugates her to being the distant girlfriend.

    Supporting cast

    There are one or two other people who make noticeable impact in the movie –– David Morrissey is the head of the program, who is seen in flashback and also is in contact with the trio via video screens (albeit on delay given the great distance involved). He’s solid in the role, which again is mostly a supporting part.

    Finally, worth mentioning is Nikolett Barabas as the disembodied voice of the ship’s computer, a vocal performance that carries more weight as the film moves on. She adds some gravitas to what is effectively a computerized voice initially making basic announcements.

    ‘Slingshot’: Final Thoughts

    Casey Affleck in Bleecker Street's 'Slingshot'. Credit: Bleecker Street.
    Casey Affleck in Bleecker Street’s ‘Slingshot’. Credit: Bleecker Street.

    Looking to play with perceptions and keep you guessing as to what’s really going on can be tricky, and ‘Slingshot’ –– no spoilers here –– doesn’t always pull off the trick as successfully as it thinks.

    Still, it has enough tense energy to keep it moving until the final act descends into predictable chaos.

    ‘Slingshot’ receives 6.5 out of 10 stars.

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    What is the plot of ‘Slingshot’?

    An astronaut (Casey Affleck) on a possibly fatally endangered mission to Saturn’s moon Titan struggles to keep his grip on reality.

    Who is in the cast of ‘Slingshot’?

    • Casey Affleck as John
    • Laurence Fishburne as Captain Franks
    • Emily Beecham as Zoe
    • Tomer Capone as Nash
    Casey Affleck in Bleecker Street's 'Slingshot'. Credit: Bleecker Street.
    Casey Affleck in Bleecker Street’s ‘Slingshot’. Credit: Bleecker Street.

    List of Laurence Fishburne Movies and TV Shows:

    Buy Laurence Fishburne Movies on Amazon