Alfred Hitchcock consistently tested the boundaries of audience expectations — and tolerance — but never more memorably than in this film about a young woman (Vivien Leigh) who flees from the authorities after stealing a wad of cash from her boss. The movie’s identification with her through the first half makes its second a stunning change in direction, as audiences not only have to deal with her death, but the prospect of following one of the accomplices (Anthony Perkins) to her murder.
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